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Home»Art Gallery»Costume Art theme has Met Gala 2026 critics calling it pretentious chaos
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Costume Art theme has Met Gala 2026 critics calling it pretentious chaos

November 17, 20253 Mins Read


The moment The Metropolitan Museum of Art dropped the 2026 Met Gala theme, social media had a collective meltdown, and not the cute kind. Titled Costume Art, the concept is supposed to highlight the “centrality of the dressed body,” but fans have already labelled it confusing, vague, and suspiciously academic. Instead of excitement, people are asking whether this year’s Gala is secretly a philosophy lesson disguised as couture.

The Metropolitan Museum of Art |  Impression of Amélie de Montfort, Jean- Baptiste Carpeaux.

( Image credit : The Metropolitan Museum of Art | Impression of Amélie de Montfort, Jean- Baptiste Carpeaux. )

The internet thinks the Met Gala has entered its pretentious era

Curator Andrew Bolton claims the theme simply acknowledges something that has always been true: the body is the backbone of fashion. A source summarised Bolton’s take, saying the curator believes the museum’s galleries, from paintings to sculptures, are all connected through how they represent the human body, dressed or not.

The Metropolitan Museum of Art | The Naked Body: Adam and Eve, Albrecht Dürer (German, 1471– 1528), 1504; Fletcher Fund, 1919 (19.73.1).

( Image credit : The Metropolitan Museum of Art | The Naked Body: Adam and Eve, Albrecht Dürer (German, 1471– 1528), 1504; Fletcher Fund, 1919 (19.73.1). )

A new gallery sparks even more drama

The theme coincides with the launch of the Condé M. Nast Galleries, a huge 12,000-square-foot space planted directly next to The Met’s Great Hall. Instead of hiding fashion underground like an afterthought, the museum is finally giving it prime real estate.

But instead of celebrating, critics are calling the move “overhyped” and accusing the Gala of trying too hard to be highbrow. The exhibition intends to place garments next to 5,000 years of art history, which some fashion fans think feels more like a museum flex than a celebration of style.

The Metropolitan Museum of Art | Ensemble, Riccardo Tisci (Italian, born 1974) for House of Givenchy (French, founded 1952), fall/winter 2010–11.

( Image credit : The Metropolitan Museum of Art | Ensemble, Riccardo Tisci (Italian, born 1974) for House of Givenchy (French, founded 1952), fall/winter 2010–11. )

No dress code yet, but everyone is already nervous, of course

Traditionally, Vogue announces the official dress code later, and designers scramble accordingly. But with Costume Art being so conceptual, people are terrified that celebrities will show up looking like abstract sculptures, half-finished sketches, or walking dissertations.

The expectation is clear: attendees will need to blend body, garment, and meaning. Translation? This could get weird.

Why this theme has become so controversial

For many, the theme’s biggest flaw is simple, it does not sound fun. Met Gala themes usually offer a visual hook or pop-cultural anchor. This one sounds like something you would see written on a university syllabus.

The Metropolitan Museum of Art | Terracotta statuette of Nike, the personification of victory, Greek, late 5th century BCE.

( Image credit : The Metropolitan Museum of Art | Terracotta statuette of Nike, the personification of victory, Greek, late 5th century BCE. )

Still, Bolton insists the exhibition is a turning point, arguing that fashion deserves equal status with fine art. A source close to the curator noted that Bolton wants to dismantle the hierarchy that treats clothing as “less serious” than traditional art forms.

The 2026 Costume Institute exhibition at The Metropolitan Museum of Art will be titled “Costume Art.” Announced today ahead of next year’s #MetGala, the show will underscore the centrality of the dressed body within The Met’s 5,000-year collection. pic.twitter.com/JxcIoW2Se8

— SinnamonSCouture (@SinnamonCouture) November 18, 2025

The 2026 Met Gala lands on May 4, and if the early backlash is any indication, this will be one of the most chaotic, debated, and accidentally iconic red carpets ever. One thing is guaranteed: no one is ready, and that might be the magic.



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